The Downtown Festival: Fellas + Q&A
A screening of Fellas on the big screen at the Roxy, paired with a Q&A, as part of the Downtown Festival. Worth staying after the film for the conversation.
A screening of Fellas on the big screen at the Roxy, paired with a Q&A, as part of the Downtown Festival. Worth staying after the film for the conversation.
A casual guided walk through the exhibition with the education team, unpacking the historical context and the design techniques behind the posters on the wall.
A two-band bill at Saint Vitus, with Inter Arma and Chained to the Bottom of the Ocean sharing the stage for a night of live music in a proper club room.
A screening at Syndicated Bar Theater Kitchen, a spot that combines a bar, a theater and a kitchen, so a meal and a drink can go with the movie.
A talk on how to tell the stories of communities erased from a city's physical landscape, and the part historians, artists, and community members play in recovering and reimagining Filipino Brooklyn.
A book launch for Multiple Offerings, a new volume devoted to the artist Theresa Hak Kyung Cha, hosted by Artists Space, an independent art institution. A focused evening around one artist's work.
Andy Boay plays a release show for an album, with PC Worship on the same bill. A good chance to hear a record debut live in a room built for loud guitars.
Erika Lust draws on decades of adult filmmaking to make a feminist case for more ethical porn, and for how it could reshape sexual politics. A launch for her book Lust: Pleasure, Performance, Power.
Mike Rice takes the stage at Union Hall with a show called Cruel Little Man, a title that promises some bite. A good pick if you like your live nights a little sharp.
Ten Bones Theatre Company tries to recreate "It" with nothing but memory, a recent viewing of the film, and a lot of wigs. No scripts, no rehearsals, no sobriety.
A late screening of Tell Her That I Love Her (Dites-lui que je l'aime), part of The Downtown Festival, with a Q&A after the film so the conversation continues past the credits.
Sue Mingus formed this band after Charles Mingus died, working with his own sidemen to play his music. He saw himself as a composer first and left over 300 pieces.
A morning in a Gilded Age mansion full of Vermeer, Rembrandt, Fragonard and Turner, with the gallery talk A Home for Art on how the house became a museum.
A screening of The Water is Always Warm, part of The Downtown Festival lineup at the Roxy Cinema New York, paired with a Q&A so you can stay for the conversation.
Billboard Style celebrate the release of their new record, with Like A Doll and Many Shining Windows rounding out a three-band bill. A release night is a good time to catch a band.
A documentary shot over six years in nine countries, tracing the sanctioned sale of polar bears. A panel with the film's creators follows the screening.
Saxophonist Ole Mathisen leads a bass-and-drums trio with Kim Cass and Colin Stranahan, a stripped-down lineup with no piano or guitar. Two sets in a room built around working artists.
A reading that turns to translation itself, asking what the craft demands and what makes it necessary. The title's line about a heart with neither cause nor the lack of one sets the tone.
A screening of Amoeba as part of the Downtown Festival, with a Q&A afterward so the conversation carries on past the closing credits.
Annabel and Sabina Meschke front a bill with Niles Abston, Max Higgins, Jabari Elzie, Jacqueline Blizzard and Spike Einbinder. A packed lineup for one night.