Findlay // Sandsmark broken (iteration III- for LIC)
A farewell piece made as the artists lost their own venue, and a quiet goodbye to stages that disappear. It offers no narrative or stated idea, just an open frame to experience.
A farewell piece made as the artists lost their own venue, and a quiet goodbye to stages that disappear. It offers no narrative or stated idea, just an open frame to experience.
Opera Praktikos rebuilds Bellini and Romani's The Sleepwalker so spoken, sung, and signed languages work as one voice, with accessibility built in from the start rather than added on.
An evening of poetry read aloud, with S*an D. Henry-Smith and julie ezelle patton sharing one bill at St. Mark's Church. A simple pairing of two poets, one room.
Bassist-composer Alexis Cuadrado brings an album of silent film scores to the stage with a big band of violin, vibraphone, trombone, reeds, and Miles Okazaki on guitar.
A poet's memoir in linked vignettes rather than a straight story, recalling childhood in a literary household in the 1950s. Margo Jefferson joins her in conversation.
An exhibition of photographs by Ocean Vuong, open to the public. A quiet chance to take in his pictures up close, hung on the wall rather than seen on a screen.
Björn Schmelzer leads an ensemble known for visceral, ornament-rich early music, answering the Siena bronzes show. Wander the galleries while it plays, or claim one of the few seats.
Hundreds of exhibitors fill Pioneer Works with art books, zines, records, and underground publications, with talks and workshops built around a theme drawn from what's alive in publishing.
A newly commissioned work from Becca Stevens on guitar and vocals, joined by Gretchen Parlato, banjoist Brad Kolonder and bassist Alan Hampton, in a small room built for close listening.
Julia Jarcho runs the Jacobean shocker 'Tis Pity She's a Whore into the present, with a waitress, her sad brother at college, and humor from somewhere unhinged.
The Pulitzer Prize–winning author of A Month in Siena speaks about his bond with the city and how it shaped the imagination of artists, including the bronze sculptors in the exhibition.
Hannah Ishizaki is writing a one-act chamber opera in 11 scenes, retelling the folk story The Crane's Gratitude for three vocalists, chamber ensemble, and electronics.
A chamber opera that starts as a pizza party, then a dying guest vanishes and opens a door to ghosts with unfinished business. Small in scale, intimate, irreverent, and aching.
A pianist known for lucid Beethoven and Schubert pairs Mozart's sonatas K. 330 and K. 457 with Poulenc's Improvisations and Debussy's L'isle joyeuse, Mozart heard through a French lens.
A poetic ritual drama by Abigail C. Onwunali, directed by Obie Award winner Awoye Timpo, moving between the seen and unseen, duty and defiance, sacrifice and survival.
MIT philosophy professor Caspar Hare draws on his new book, Living in a Strange World, to explore a striking idea about how almost every action ever taken reaches future generations.
Four rising composers each write new music answering an illustration from Hildegard von Bingen's codices, brought to life with animations and projections in an immersive setting.
Listed as a visual arts event at Syndicated Bar Theater Kitchen, a room that pairs a bar and a kitchen with its stage, so a drink and a bite fit easily around it.
Saxophonist Caleb Wheeler Curtis and MacArthur fellow Jason Moran celebrate their album on Imani Records, exploring space, time, and melody through a shared fascination with musical ancestry.
Poems on inner conflict, ethical action and fraying ties to family and land, from a Lexi Rudnitsky Editor's Choice Award winner, in conversation with Pádraig Ó Tuama.