Nicoletta Todesco: The Cockroach Diary
A one-woman operetta for voice, classical guitar, and electric guitar, where a cockroach becomes an artist's unlikely muse. It begins intimate, drifts into outer space, and returns changed.
A one-woman operetta for voice, classical guitar, and electric guitar, where a cockroach becomes an artist's unlikely muse. It begins intimate, drifts into outer space, and returns changed.
Electric guitar quartet Dither open with new commissions channeling Hendrix's experimental language, then director R.B. Schlather and Ruckus shrink Handel's final opera, Deidamia, to chamber scale.
A new musical that's part folk concert, part immersive ritual, part dance party, turning scars into songs. Come ready to move and sing as the audience becomes fellow travelers.
Opera Praktikos rebuilds Bellini and Romani's The Sleepwalker so spoken, sung, and signed languages work as one voice, with accessibility built in from the start rather than added on.
Hannah Ishizaki is writing a one-act chamber opera in 11 scenes, retelling the folk story The Crane's Gratitude for three vocalists, chamber ensemble, and electronics.
Emily Wells's opera, years in the making, in workshop form: a "mirror father" and the phantom daughter he dreams of compare queerness, art, and why neither chose a child.