VIKA KIRCHENBAUER PGM 1
Six experimental shorts by Vika Kirchenbauer, from a seductive address out of a black void to a work on the impossibility of tickling yourself. She is there in person.
Six experimental shorts by Vika Kirchenbauer, from a seductive address out of a black void to a work on the impossibility of tickling yourself. She is there in person.
Four shorts by Vika Kirchenbauer that take on the art economy's labor politics and its complicit institutions, from a welcome address to a study of early public art exhibitions. The filmmaker attends.
Fields Medalist Terence Tao talks with Janna Levin about his first popular book, tracing its six pillars, from algebra as abstraction to the mathematics of change, as a creative way of thinking.
Paul Lazar plays the sky itself in Anne Carson's text, moving through song, dance, video and phone calls from love before the Big Bang to bombs in blue air. Comic and poignant.
The garden's curators walk you through a site-specific exhibition of new work by the first fellows of a new art and environment fellowship, with the tour timed for sunset.
Filmed over ten years at a Provence villa, this documentary follows a bohemian countess grandmother and her strained family around the pool. The filmmaker will be there in person.
Annie Sprinkle and Beth Stephens close their ecosexual climate trilogy with a film about fire, narrated partly by a white peacock, and they open each show with a performative "Ecosex 101."
Four people who run photography programs talk about who gets to tell the story: Shahidul Alam of Pathshala, Helen Alonzo Hurtado of Las Fotos Project, Gary Knight of VII, and Michael Kamber.
Chenae Bullock, a member of the Shinnecock Nation, leads a walk through the Native Flora Garden, with plants explained through Indigenous traditional ecological knowledge. A small, specific tour.
Landscape ecologist Dr. Eric Sanderson gives a public lecture on historical ecology, looking at what the land was like before the city. It's held in a historic house.
Ten shorts spotlighting women in animation, from a silent flower-fairy film to Mary Ellen Bute and Sally Cruikshank, many from 35mm and 16mm. Mindy Johnson and Rachael Guma introduce.
Laird Sutton's unscripted 16mm portraits of ordinary people's sexual patterns, made for therapy sessions, with a mood-easing short first. Introduced by archivist Oscar Becher.
Dr. Eric W. Sanderson reconstructs the original forests, wetlands, and waterways of the place and ties them to today's flooding, climate resilience, and environmental justice.
A celebration of Marlon James's Booker-finalist novel, in which eight men rehearsing a play are brutally attacked one night and must reckon with the hatred the violence exposed.
Classical, jazz and folk musicians trade songs by ear and memory, never written down and never improvised. Expect a short film, an early listen to the record, and a live set.
A screening of Allison Janae Hamilton's films on the American landscape, followed by a conversation between the artist and Imani Perry. It's a focused pairing of an artist and a thinker.
Puts Robert Mapplethorpe, Jean-Michel Basquiat and Nan Goldin together on one bill with ART/New York, and a Q&A rounds it out. A screening for anyone drawn to downtown art.
Haley Scott and Tecumseh Ceaser of the Metoac Indigenous Collective lead a walk pointing out native birds and plants, and the Indigenous history and cultural meaning tied to them.
A lecture on the molten-metal side of a city known for painting: furnaces, bells, and monuments, with Donatello, Vecchietta, and Francesco di Giorgio among the makers.
Playwright Walker Caplan reads from DUMMY and talks with Eliza Palter of New Relic Theatre about reimagining the historic "dumb scene," drawing on archival research and library materials.