VIKA KIRCHENBAUER PGM 1
Six experimental shorts by Vika Kirchenbauer, from a seductive address out of a black void to a work on the impossibility of tickling yourself. She is there in person.
Six experimental shorts by Vika Kirchenbauer, from a seductive address out of a black void to a work on the impossibility of tickling yourself. She is there in person.
Four shorts by Vika Kirchenbauer that take on the art economy's labor politics and its complicit institutions, from a welcome address to a study of early public art exhibitions. The filmmaker attends.
A two-poet reading that puts Tongo Eisen-Martin and Margaret Randall on one bill, so you hear both read their own work aloud in a room built for listening.
A reading that turns to translation itself, asking what the craft demands and what makes it necessary. The title's line about a heart with neither cause nor the lack of one sets the tone.
Filmed over ten years at a Provence villa, this documentary follows a bohemian countess grandmother and her strained family around the pool. The filmmaker will be there in person.
Annie Sprinkle and Beth Stephens close their ecosexual climate trilogy with a film about fire, narrated partly by a white peacock, and they open each show with a performative "Ecosex 101."
Ten shorts spotlighting women in animation, from a silent flower-fairy film to Mary Ellen Bute and Sally Cruikshank, many from 35mm and 16mm. Mindy Johnson and Rachael Guma introduce.
Laird Sutton's unscripted 16mm portraits of ordinary people's sexual patterns, made for therapy sessions, with a mood-easing short first. Introduced by archivist Oscar Becher.
A painter talks about his work: intimate scenes of private life set against the fluorescent glow of technocapitalism, in the social realist line of Courbet, Otto Dix, and George Tooker.
A reading stretched over three evenings, taking up how poetry, the avant-garde, and the left meet. The Poetry Project hosts it at St. Mark’s Church.