VIKA KIRCHENBAUER PGM 1
Six experimental shorts by Vika Kirchenbauer, from a seductive address out of a black void to a work on the impossibility of tickling yourself. She is there in person.
Six experimental shorts by Vika Kirchenbauer, from a seductive address out of a black void to a work on the impossibility of tickling yourself. She is there in person.
Four shorts by Vika Kirchenbauer that take on the art economy's labor politics and its complicit institutions, from a welcome address to a study of early public art exhibitions. The filmmaker attends.
Classical, jazz and folk musicians trade songs by ear and memory, never written down and never improvised. Expect a short film, an early listen to the record, and a live set.
Watch a film get made live: overhead projectors, paper puppets and tiny sets build the screen image, with a live score. The story begins where Shakespeare's play ends.
Marching with the Kasama plays beside two related films, in a project that folds exchanges with audiences and militants into how the material is interpreted and distributed.
Filmed over ten years at a Provence villa, this documentary follows a bohemian countess grandmother and her strained family around the pool. The filmmaker will be there in person.
Annie Sprinkle and Beth Stephens close their ecosexual climate trilogy with a film about fire, narrated partly by a white peacock, and they open each show with a performative "Ecosex 101."
Ten shorts spotlighting women in animation, from a silent flower-fairy film to Mary Ellen Bute and Sally Cruikshank, many from 35mm and 16mm. Mindy Johnson and Rachael Guma introduce.
Six shorts spanning four decades, by or with people from the leathersex scene, treat the dominatrix as an elusive figure of artifice. Includes Beth B's band video and overlooked and censored work.
Nine animated shorts by women, from a 1930s Lotte Reiniger film to Signe Baumane's Birth, with Faith Hubley and Caroline Leaf in between, all on the subject of being a woman.
Candid, playful erotic portraits from the National Sex Forum, anchored by Wardell Pomeroy, a former Kinsey collaborator, interviewing a sexologist-in-training about her history.
A set of short 16mm films from the 1970s on gay liberation, from a parade documentary to loose, unstructured conversations among gay men and lesbians, plus Jan Oxenberg's comedy.
Six short films from the 1970s feminist moment, from playful sendups of gender roles to Self-Health and an early Penelope Spheeris short, about 90 minutes in all.
Three experimental Coni Beeson films for the National Sex Forum, layered in double exposure and pastoral imagery, framed by Rodriguez-Soltero's JEROVI and Chick Strand's FEVER DREAM, all on 16mm.
Three 16mm James Broughton films from the late 1960s and early 1970s, shown as sex educators once saw them, after a short where Broughton gets bathed and massaged by an erotic masseur.
Laird Sutton's unscripted 16mm portraits of ordinary people's sexual patterns, made for therapy sessions, with a mood-easing short first. Introduced by archivist Oscar Becher.
All the Mornings of the World screens alongside a live performance called Instruments of Desire, so the evening is more than watching a film in the dark.
Puts Robert Mapplethorpe, Jean-Michel Basquiat and Nan Goldin together on one bill with ART/New York, and a Q&A rounds it out. A screening for anyone drawn to downtown art.
Monika Treut and Elfi Mikesch's film follows Wanda, a dominatrix and gallerist who lets patrons watch her scenes, and uses Sade's "Venus in Furs" to question the spectator's role.
A new film by six artists plays alongside shorts by Caroline Leaf, Sandy Moore, and Faith Hubley, including a digital restoration of a 16mm work and a Hubley film on 35mm.